Las óleos de todo Franz Anton Maulbertsch
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ID |
Image |
Painting (From A to Z) |
Details |
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67717 |
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Allegory of the Alba |
c. 1750
Oil on canvas
67 x 53 cm
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70226 |
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Allegory of the Alba |
Medium Oil on canvas
Dimensions 67 x 53 cm
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67809 |
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Apotheosis of a Hungarian Saint |
1773
Oil on canvas
73 x 46 cm
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70282 |
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Apotheosis of a Hungarian Saint |
Medium Oil on canvas
Dimensions 73 x 46 cm
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67720 |
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Der Apostel Philippus tauft einen Eunuchen |
c. 1750
50,5 X 34,5 cm |
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74139 |
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Der Apostel Philippus tauft einen Eunuchen |
Deutsch: um 1750
English: c. 1750
Medium Deutsch: Öl auf Papier
Dimensions Deutsch: 50,5 X 34,5 cm
cyf |
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67721 |
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Der Quacksalber |
Franz Anton Maulbertsch: Der Quacksalber (The quack), before 1785
Oil on wood, 53 x 56 cm
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71437 |
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Der Quacksalber |
1785
Oil on wood, 53 x 56 cm
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89858 |
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Himmelfahrt Maria |
1762-1764
Medium oil on paper
Dimensions 68 x 33 cm
cjr |
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92371 |
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The quack |
Date before 1785(1785)
Medium oil on panel
Dimensions 53 X 56 cm (20.9 X 22 in)
ttd |
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| Franz Anton Maulbertsch
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| (June 7, 1724 -- August 8, 1796) was an Austrian painter and engraver, one of the most renowned exponents of roccoco painting in the German region.
Maulbertsch was born in Langenargen and studied in the Academy of Vienna. Through the knowledge of Paul Troger, he was influenced by the Venetian painters Piazzetta and Giovanni Battista Pittoni. He also studied the frescoes by Sebastiano Ricci in the Schönbrunn Palace in Vienna, and frequented Giambattista Tiepolo, who was active in Werzburg starting from 1750.
An appreciated frescoer, he received numerous commissions, mostly of ecclesiastical theme. He produced art for churches in Bicske, Kalocsa, Vienna's Michaelerkirche and Piaristenkirche Maria Treu. He also decorated the Porta Coeli in Moravia, the Kromeř Archbishop's Palace and the villa of Halbturn.
He also painted a portrait of Narcissus of Jerusalem
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